Tuesday 31 January 2012

more Hip Hop movers


AfroPoP Volume I: Disc 1 (DVD) Hip Hop Revolution
Producer: Weaam Williams
Using an experimental narrative style, South African filmmaker Weaam Williams has infused her film with a texture and life that breathes with every cut. "Hip Hop Revolution" is first an exploration of the lives of a generation so touched by this genre and its culture that they are inspired to question, survive and conquer an unjust political system. Through the struggles of DJs, B-Boys, MCs and creative graffiti artists, "Hip Hop Revolution" depicts an element of hip hop so often forgotten - its power to inspire and catalyze change. A favorite at the 2007 AFI Silverdocs Festival, Willams' film has been praised because it gives "voice to South Africa's hip-hop subculture, and reminds Western viewers of the complexity of black experience, at home and worldwide."
Posted by at No comments:
please check other pages for more articles** thank you
Posted by at No comments:
NINTH WONDER

http://9thwonder.com/



http://vimeo.com/21270178   ~THIS VIDEO IS A MUST SEE

http://www.amazon.com/Wonder-Years-9th/dp/B005FHIGU4  ~download the album

http://www.undergroundhiphop.com/9th-Wonder-The-Wonder-Years/AE333436CD/ ~download the album









Start:
April 6, 2012 8:00 am
End:
April 7, 2012 5:00 pm

Venue:
Bassline
Address:
Johannesburg, Gauteng, South Africa


Devoted soulful hip-hop supporters are in for a treat as underground duo the 9th Wonder and Phonti Gallo are set to be coming to South Africa in April of 2012, to perform live. The gig details are not clear yet, all we know is that according to news breaking on twitter last week, the Grammy award winning producer born Patrick Douthit and Grammy nominated rapper Phonti Coleman started trending after Phonti revealed that,” It’s official we (9th Wonder and I) are hitting South Africa in April, the motherland . The 9th Wonder was also pumped after seeing how the news were recieved by their excited fans, expressing that he could’nt wait .


A hugely respected producer and hip-hop music lecturer 9th Wonder has worked with head liners Drake , Mary J Blige,Erykah Badu, Chris Brown .In 2011 he took out a fourth compilation The Wonder Years featuring names like seasoned soul-rap artists Talib Kweli , Erykah Badu, Masta Killa, Murs .
Phonti Gallo, also known as the second half of the Foreign Exchange, released his solo album Charity Starts at Home in 2011.

Know the artist
Patrick Douthit (born January 15, 1975 in Winston-Salem, North Carolina),[2] better known as 9th Wonder is a hip hop record producer, record executive, DJ, professor, and lyricist from Raleigh, North Carolina, U.S.A. He began his career as the main producer for the hip hop group Little Brother, and has also worked with Mary J. Blige, Jean Grae, Wale, Jay-Z, Murs, Drake, Buckshot, Chris Brown, Destiny's Child, Kendrick Lamar, Erykah Badu, Ludacris, Mac Miller, and David Banner. As of 2010, 9th Wonder raps under the name of 9thmatic.[3]
9th Wonder has a smooth and soulful production style that relies on samples from artists such as Al Green and Curtis Mayfield.[4] He attributes the bass lines that he uses in production to DJ Premier, Pete Rock and J Dilla, while he claims to have learned "Aahs" from RZA.[4]


Contents

 [hide] 


 Music career

9th Wonder's first significant career breakthrough came in 2003 when, as an up-and-coming producer, he released an unofficial remix album of Nas' 2002 album God's Son entitled God's Stepson.[5] Released through internet outlets, the album garnered significant attention and acclaim.[5] The producer has said that he was not thinking in terms of using it to generate a buzz or promote his skills and that at that point: "I never thought any of this of me as a producer was going to happen."[5] The album has since been credited as starting the now regular trend for unofficial 'home-made' remixes of whole albums.[5]
9th Wonder began his career as the main producer for the hip hop group Little Brother. As part of Little Brother he gained widespread recognition and critical acclaim for his production on their debut 2003 release, The Listening. One suitably impressed individual was Jay-Z's studio engineer Young Guru, who contacted the young producer on behalf of his employer. The eventual meeting led to 9th Wonder producing "Threat" for Jay-Z's 2003 The Black Album.[5] The cut proved to be a mainstream breakthrough for 9th Wonder, most immediately in the major production role he secured on Destiny's Child's 2004 Destiny Fulfilled album that Jay-Z was instrumental in helping bring about.[5] On the album, 9th produced the tracks "Girl" and "Is She the Reason," plus the bonus track "Game Over."
9th Wonder left Little Brother in 2007.[6][7]
On October 29, 2007, 9th Wonder also made a rare public appearance on BET's Rap City, alongside collaborator Talib Kweli. Madlib, Jean Grae and Erykah Badu appeared as well. In 2010, he appeared on BET's 106 & Park countdown with David Banner.
9th Wonder, E. Jones, and rapper J. Cole served as the lead producers of the soundtrack to t he EA Sports video game NBA Elite 11. 9th and J. Cole also appear as "secret characters" in NBA Jam with a team name of "Cole & Wonder."
9th Wonder debuted his rapping alter-ego, 9thmatic, in late 2009. 9thmatic appeared on songs with Khrysis & Sean Boog (The Away Team), Big Remo, Murs & Thee Tom Hardy.
Wonder worked with Mississippi rapper David Banner on a collaborative album entitled Death of a Pop Star which was released on December 21, 2010.

 It's A Wonderful World Music Group, Jamla Records

In January 2009, 9th Wonder announced plans to start two independent record labels, Jamla and The Academy, under his imprint It's A Wonderful World Music Group (IWWMG). Jamla originally consisted of Skyzoo, GQ, Rapsody, Tyler Woods and Big Remo, while The Academy consisted of Thee Tom Hardy, Actual Proof (Sundown & Enigma), TP, & The Away Team (Khrysis & Sean Boog). The Academy artists were later folded into the Jamla label. HaLo & Heather Victoria were announced as the newest members of IWWMG in October 2010.
In July 2010, 9th Wonder officially debuted his production team for IWWMG. The Soul Council consists of Khrysis, E. Jones, Fatin "10" Horton, Ka$h Don't Make Beats, AMP, eric g., & 9th himself.

 Recent & Current Projects

In 2010, independent filmmaker Kenneth Price documented 9th Wonder's travels for an entire year. This included his times in the studio, classes he taught at Duke University, and performances with MURS at the 2010 Rock the Bells Festival, along with candid interviews with 9th about his life and career. All of this was compiled in a Lifted Research Group-sponsored documentary film titled The Wonder Year. The film features appearances by Drake, DJ Premier, DJ Green Lantern, J. Cole, MURS, Lucas Rivers, Sha Money XL, Young Guru, The Alchemist & more. First debuting in 2011, the film is currently on the film festival circuit, along with screenings around the United States and Canada (primarily at colleges) as requested by interested parties through the film's official website. Price went on to direct music videos for artists on 9th's Jamla Records label.
In August 2010, hip-hop star Drake exchanged tweets with 9th Wonder on Twitter, expressing his desire to work with him again (the 1st time being the production of "Think Good Thoughts" featuring Phonte and Elzhi for his 2007 mixtape Comeback Season). It was revealed in October 2010 that 9th would be producing for Drake on his sophomore album Take Care, which was released on November 15, 2011.[8] However, a month prior to the release, 9th said in an interview that he would not appear on Take Care due to A&R issues.[9]
R&B/pop singer Chris Brown recorded a series of rap freestyles over 9th Wonder beats. The first was released on July 18, 2011 on YouTube under the title "Real Hip Hop #3." This was followed a day later by "Real Hip Hop #4" featuring Kevin McCall. These tracks were included in Brown's rap mixtape Boy In Detention, released on August 5, 2011.[10]

 Hip-hop Professor

2007 saw a sideline move into music academia for 9th Wonder when, along with Christopher "Play" Martin from hip-hop group Kid-n-Play, he was appointed Artist-In-Residence by the Chancellor of North Carolina Central University, and began instructing a hip-hop history class in NCCU's Music Dept.[11]
His role as a music professor has proven an ongoing one as in January 2010 it was announced that 9th Wonder would co-teach a class titled "Sampling Soul" with Dr. Mark Anthony Neal at Duke University.[12] In an interview with HitQuarters, he explained the reason for the move into academia: "Educating the youth on where hip-hop comes from and the history of it, using the records we use, gives hip-hop a longer life. I decided to become an advocate of that."[5]

 P'Tones Records

9th Wonder and Black Jeruz are the spokespeople for the Durham-P'Tones Records Studio which is partnered with North Carolina Central University. The new location for the P'Tones studio is currently being decided. 9th Wonder still resides in North Carolina. He has announced his dedication to the community in Durham, NC by joining P'Tones Records, whose Mission Statement statement is "to create constructive opportunities for inner city youth through no-cost neighborhood music programs." The organization's goal is to give students the opportunity to run a record label, creating music and merchandise while learning about the music industry. Former Professor Kawachi Clemons and founder (of P'Tones) Oren Rosenbaum opened the NCCU-P'Tones studio. The program is set to begin February 2010. Dr. Smith has replaced Dr. Clemons as the point man from NCCU. As of August 1, P'Tones is fundraising through the Pepsi Refresh Project.[13]

 Discography

Main article: 9th Wonder production discography

 Solo Albums

 Collaboration Albums

 Collaboration Mixtapes

  • 2006: Battle of the Beats Round 1-2 (with The Alchemist & DJ E.Nyce)
  • 2007: 9th Year Freshman (with CHOPS)
  • 2007: The Graduate (with Kanye West, Mick Boogie & Terry Urban)
  • 2008: The W.ide W.Orld of W.Rap (with E.Ness)
  • 2008: Album Mixtape Volume One (with Cans)
  • 2008: 9 Wonders (NYOIL verses 9th Wonder) (with NYOIL)
  • 2009: The R&B Sensation Mixtape (with Tyler Woods)
  • 2009: Back to the Feature (with Wale & LRG[disambiguation needed ])
  • 2009: The Hardy Boy Mystery Mixtape: Curse of Thee Green Faceded (with Thee Tom Hardy & Don Cannon)
  • 2010: To Hanses Mall (with Akello Light)
  • 2010: Album Mixtape Part 2 (with Cans)
  • 2010: The (Free)EP (with Actual Proof)
  • 2011: TP is my Hero (with TP)
  • 2011: Spring Cleaning(with Mike Schpitz)[15]

 Compilation & Remix Albums

  • 2003: 9th invented the Remix
  • 2003: God's Stepson - Nas (remix of Nas's album God's Son)
  • 2004: Black Is Back! - Jay-Z (Remix of Jay-Z's The Black Album)
  • 2005: The Remix EP (Remixed Songs of Smif-N-Wessun)
  • 2009: Wonder Years - 9th Wonder Golden Years Remix LP
  • 2010: 9th invented the Remix...Again
  • 2010: Loose Joints
  • 2010: Food for Thought

 References

  1. ^ "In the Studio: 9th Wonder". XLR8R. 2008-05-29. http://www.xlr8r.com/features/2008/05/9th-wonder-studio. Retrieved 2010-05-12. 
  2. ^ 9th Wonder Biography, Muze Ltd.
  3. ^ Tullis, Eric (2010-01-07). "Fraggle Naggle: Meet 9thmatic, the rapper | Scan | Independent Weekly". Indyweek.com. http://www.indyweek.com/scan/archives/2010/01/07/fraggle-naggle-meet-9thmatic-the-rapper. Retrieved 2010-09-08. 
  4. ^ a b "An interview with 9th Wonder — producer 9th Wonder on working with Jay-Z and his group Little Brother". Remixmag.com. http://emusician.com/remixmag/artists_interviews/musicians/remix_little_feat/. Retrieved 2011-01-10. 
  5. ^ a b c d e f g "Interview With 9th Wonder". HitQuarters. May 31, 2010. http://www.hitquarters.com/index.php3?page=intrview/opar/intrview_9thWonder_Interview.html. Retrieved Jun 15, 2010. 
  6. ^ "Hip Hop News Audio, News, Videos, Albums, Ringtones, Lyrics, Urban Wear". HipHopGame.com. 2007-01-27. http://www.hiphopgame.com/news.php3?id=1510. Retrieved 2010-05-12. 
  7. ^ Listen to More: Producer, Underground (2007-10-10). "9th Wonder Interview". Djbooth.net. http://www.djbooth.net/index/interviews/entry/9th-wonder-interview-1011071/. Retrieved 2010-05-12. 
  8. ^ Horowitz, Steven J. (2010-10-07). "Drake Shares Producers on Second Album, Still Uncertain of Title". Rap-Up Magazine. http://www.rap-up.com/2010/10/07/drake-shares-producers-on-second-album-still-uncertain-of-title/. Retrieved 2010-10-11. 
  9. ^ Iraheta, Mark (12 October 2011). "9th Wonder Will Not Appear on Drake's 'Take Care'". Complex Magazine. http://www.complex.com/music/2011/10/9th-wonder-will-not-appear-on-drakes-take-care. Retrieved 16 October 2011. 
  10. ^ Markman, Rob (5 August 2011). "Chris Brown Drops Rap Mixtape, Boy In Detention". MTV. http://rapfix.mtv.com/2011/08/05/chris-brown-drops-rap-mixtape-boy-in-detention/. Retrieved 5 August 2011. 
  11. ^ North Carolina Central University. http://www.nccu.edu/directory/details.cfm?id=pdouthit&search=&department=Music. Accessed Mar 2, 2009.
  12. ^ xxlmag.com. http://www.xxlmag.com/online/?p=67160 |date: Jan 4, 2010 |accessdate= Jun 15, 2010
  13. ^ Education (2010-05-31). "Create 12 No-Cost Recording Studio Programs for Urban Youth Nationwide | Pepsi Refresh Everything". Pep.si. http://pep.si/cJgXRS. Retrieved 2010-09-08. 
  14. ^ http://www.gidipi.com/Murray-039-s-revenge_18903.html
  15. ^ http://indy.livemixtapes.com/mixtapes/13979/mike_schpitz_spring_cleaning.html

] External links



Posted by at No comments:
HERE IS AN ARITCLE ON HIP HOP MOVERS

Cultural Exchange: South Africa and USA Youth Development Through Hip Hop, Dance and Culture

April 26, 2011






PROJECT UPDATE



Cultural Exchange: South Africa and USA
Youth Development Through Hip Hop, Dance and Culture


April 12, 2011,
Washington DC
On March 14th, 2011, Junious Brickhouse, aka House (Urban Artistry), and I (Nomadic Wax) traveled from Washington DC to Cape Town as cultural envoys with the US State Department. The 2011 exchange had grown out of a project initiated by Nomadic Wax and myself during the summer of 2010. This project, The 2010 Cape Town 2 DC arts exchange, brought two of South Africa’s leading hip hop artist activists, DJ Thee Angelo and Emile YX?, to Washington DC for two weeks of collaboration with local artists and activists. As members of Black Noise (one of South Africa’s first hip hop groups and dance crews), arts activists, and educators with the non- profit Heal the Hood, these two artists were able to contribute indispensible knowledge and experience to the program. Working with artists like former State Department Hip Hop Ambassador Kokayi, B-Boy IronMan, Flex Mathews, and DJ RBI (of Words, Beats, Life, Inc), we created a space to share strategies, workflows, and methodology. Among the many partnerships the exchange created, the strongest relationship was formed with DC dance collective Urban Artistry.
Upon their return to South Africa, Heal the Hood began to work with the US Consulate in Cape Town to plan a return exchange, and to further strengthen the relationships that had been formed between the two arts communities. Heal the Hood?s partnership with the consulate resulted in the organizing of the second
installment of the exchange which began in 2010. As representatives of US hip hop culture and our respective art forms, Junious and I were invited to South Africa to further strengthen the relationship with Heal the Hood and the South African arts community, as well as connect and work directly with local youth throughout the country. The mission of the project was to both identify and connect with underserved youth in the townships of Cape Town, Johannesburg, Pretoria, and Durban. As both role models and educators, we were to conduct workshops with youth within our respective fields of expertise: ‘house’ dance & film.

[Credit: Sizwe Ndlovu. Magee McIlvaine delivering a talk at University of Cape Town, South Africa on March 17, 2011]

[Credit: Magee McIlvaine. At a school in the Cape Flats]

[Credit: Magee McIlvaine. DJ Thee Angelo]
Upon touchdown in Cape Town, it soon became apparent how dramatic the need for sustained youth work and arts activism is in Cape Town. This need was further reflected in the other locations we visited during the trip. Cape Town, and South Africa as a whole, is an extremely complex place. In Cape Town specifically, we were immediately welcomed into the realities of life in the so- called ?colored? communities throughout Mitchell?s Plain. This area is considered to have some of the worst gang-related violence in the world, and it is safe to say that young people in these neighborhoods are faced with very hard decisions on a daily basis. It was truly an honor to witness the work of Heal The Hood in these communities. Their approach is extremely effective and their access is unparalleled. Through dance and hip hop culture as a whole, Emile and his crew of young educators—who come from the very same neighborhoods– are able to foster the confidence of these young boys and girls, instilling in them a new sense of identity. They help these youth re-contextualize the idea of being ?African? as something positive– a message that is very much absent in many of the communities we visited. Their model for working with at-risk youth in the often-ignored black Afrikaans communities is very impressive.
For more information on this community, watch this short film.

[Credit: Magee McIlvaine. Cape Town]
South African youth love Kwaito, which is the country’s own version of House music. Despite the prevalence of House music, knowledge of the actual dance techniques and the music genre?s history is somewhat lacking. Junious is a pro. I was very impressed with how he was able to jump into any situation and get kids (sometimes groups of 20, sometimes around 100) moving and having fun, while telling them the story of the music, and contextualizing it for them. In communities with few opportunities for traditional career paths, dance can be a way out. What is impressive about Junious and Emile?s work is that it places equal importance on technical skill, as well as building confidence and love for one’s-self. Not everyone will be able to tour the world like Black Noise have, but confidence and self-worth are important in all aspects of life.

[Credit: Magee McIlvaine. Junious Brickhouse, house dance workshop in Johannesburg]
As for me, my workshops focused on the basics of filmmaking. They were generally made up of kids who were very curious about film (especially horror films as a matter of fact) and dying to know how special effects worked, as well as the kids who were too shy to participate in the dance workshops. Knowing time constraints and equipment access were going to be an issue, I constructed my film workshops to focus on several key points. First, despite the vast economic disparities in South Africa, filmmaking is not an unattainable career for township youth. Second, through cell phone technology, almost every youth has access to the equipment they would need to start down the path of professional filmmaking. At their core, the workshops were about instilling in the participants the confidence to pursue film as a tangible career path, despite the challenges they might face. I believe that this approach worked quite well. One of the most memorable moments was when a young albino girl in a Township outside of Pretoria who demanded we shoot a short solo performance she had created, complete with characters and voices. Though very shy outside the workshop, when given access to a camera, her whole demeanor changed into that of a superstar. When I explained that she actually had access to cameras all along, through cell phones, she left the workshop both excited and motivated to continue filming herself and others.

[Credit: Magee McIlvaine capturing an aspiring filmmaker at work.]

[Credit: Two young participants in Magee's film workshop shooting some test video]

[Credit: Magee McIlvaine. Film workshop in Johannesburg.]
On a personal level, I learned a great deal from this experience. I have worked all across Africa, but this was my first project in South Africa. All the young people we worked with were hungry for the skills we were teaching. In fact, many already had the skills, but lacked the confidence to use them. With the level of racial tension, economic disparity, and a local division throughout South Africa, this kind of work with youth is all the more important.

[Credit: Magee McIlvaine. Bboy doing a freeze in front of the Heal the Hood van.]
Organizations like Heal the Hood are doing incredible work on a local level, and we met arts activists at different centers throughout the country doing similarly positive work. These kinds of projects need to be supported and expanded. I am in touch with a large number of people who either participated in one of my workshops, or hosted our program. I am working on potential collaborative projects and mentorships for some of
the bright young filmmakers we met along the way.

Magee McIlvaine
Nomadic Wax, Creative Director
[Magee and friends on Hiking Table Mountain, Cape Town]



*SUPPORT THESE LOCAL ORGS.*

LINK:
http://nomadicwax.com/2011/04/cultural-exchange-south-africa-and-usa-youth-development-through-hip-hop-dance-and-culture/


The 2010 Cape Town 2 DC arts exchange

This Spring’s cultural exchange adventure in South Africa was a follow up to the From Cape Town to D.C. program Nomadic Wax organized last July. In partnership with the DC Commission of the Arts & Humanities, Nomadic Wax hosted two legendary South African Artist-Diplomats (Emile XY? and DJ Thee ‘Angelo)who teamed up with two equally legendary DC artists (Kokayi and DJ RBI) to create a performance piece which was performed, recorded and filmed during the visit.


*FOLLOW THE ABOVE LINK TO FIND WEB PAGE OF THE ARTICLE*
Posted by at No comments:
www.youtube.com/watch?v=sevZEOUXpw4

KNOW THE ARTIST:

Dilated Peoples is an American hip hop group from Los Angeles, California. The group achieved notability in the underground hip hop community,[citation needed] although they have had little mainstream success in the US, with the exception of the song "This Way," a 2004 collaboration with Kanye West and Xzibit appearing in the music video. They reached the Top 40 of the UK Singles Chart with two tracks, "This Way" and "Worst Comes to Worst."[1] Their members include DJ Babu (producer/DJ), Evidence (emcee-producer) and Rakaa Iriscience (emcee)[2] The group also received a publicity spike after their track "Who's Who" appeared on the racing video game, Need for Speed: Underground in 2003.

MORE OF KNOWING YOUR ARTISTS

Its members, DJ Babu from the DJ crew Beat Junkies; Evidence; and Rakaa joined together in 1992 and released "Third Degree" (1997) and "Work the Angles"(1998) on ABB Records, developing a solid fan base in the underground hip hop community. They had previously recorded an album titled "Imagery, Battle Hymns & Political Poetry" that was never released (1995), although many fans still have it on bootlegged tapes. The group eventually signed with Capitol Records[3] and released The Platform (2000) to more critical acclaim.
The second album, Expansion Team, was released in 2001 led by The Alchemist-produced "Worst Comes to Worst," which utilized a vocal sample from Mobb Deep's "Survival of the Fittest" and a musical sample from William Bell's "I Forgot to be Your Lover". Expansion Team debuted at #8 on the US Billboard R&B Albums chart and #36 on the Billboard 200.[4] The group's third album, Neighborhood Watch, was released in 2004 and debuted at #55 on the Billboard 200, selling 143,000 copies in the United States.[5] In addition to the Kanye West produced single, "This Way," it featured the singles "Who's Who?" and "Sorry? OK", which were also included as tracks on the Need for Speed: Underground and SSX 3 soundtracks, and peaked at #35 on the UK Singles Chart.[1] The fourth album, 20/20, was released in 2006; the debut single, "Back Again", was featured on the Fight Night Round 3 soundtrack. This is the third EA Games soundtrack on which the group has been featured. "Back Again" is also featured on Sony's MLB 06: The Show. 20/20 was the group's "farewell" album on Capitol Records, ending a four album recording contract.
They also work with the underground hip hop group, Global Warning, who originated in Anaheim.

 Collaborations

Dilated Peoples are affiliated with fellow West Coast hip hop group tha Alkaholiks. The Liks appeared on The Platform on the track "Right On" and Expansion Team on "Heavy Rotation." The group also collaborated frequently with west coast emcees Defari and Amad Jamal (an Urban Umpires member) and helped to launch their careers. Defari made one appearance on each Dilated Peoples' album: "Ear Drums Pop (Remix)" on The Platform; "Defari Interlude" on Expansion Team; "Closed Session" on Neighborhood Watch; and "Olde English" on 20/20. Dilated Peoples also made multiple appearances on Defari's album Odds & Evens. Another Dilated associate is their long-time producer, the Alchemist, who produced five songs on The Platform, three songs on Expansion Team, four songs on Neighborhood Watch, and two songs on 20/20. Dilated Peoples was featured on a song on the Alchemists' 1st Infantry. Rakaa also made a guest appearance on the song "Trance Fat" on Looptroop's album, Good Things, and on the song "Zet 't Blauw" from the Dutch rapper Jerome XL's 2010 album, De laatste dag.
In an emotional interview on Conspiracy Worldwide Radio, Evidence discussed the status of Dilated Peoples and their relationship as a group. He also went on to enthuse about their new album, Directors of Photography.[6]
Posted by at No comments:
Pictures**



Pics Include: Apathy; Blacastan; Chum The Skrilla Guerilla; Cormega; Motive; Slaine; Skyzoo


Posted by at No comments:
Discussing local hip hop movers in the game: Just taking a sneak peak at what other people who really love and respect hip hop are doing for this amazing movement.
Posted by at No comments:

Monday 30 January 2012

Hip Hop Everlasting is about exposing real hip hop and exoposing real people comments. I created this blog as a plattform for etsablishing good conversations with people that have a true passion and love for Real Hip Hop, Undergound Hip Hop, Political Hip Hop, Consciouss Hip Hop, Social Hip Hop, Alternative Hip Hop anything thats REAL HIP HOP,HIP HOP.

Here on Hip Hop Everlasting we look to working and joining with people from all areas in the world to have the realest conversations about that good Music,Poetry  and we celebrate the art of  writting and graffiti.

Join us as we come together for the future movements of real hip hop here in South Africa, and as a continent to hala at the world about how and what we do.

ONE*
Posted by at No comments:
Subscribe to: Posts (Atom)